Marshall V-702W-12G-V2 Rack Mount Monitor User Guide

Marshall V-702W-12G-V2 Rack Mount Monitor

Safety Instructions

• The monitor should not be placed on its face to avoid scratching the LCD surface.
• Avoid heavy impact Do NOT use chemical solutions to clean this product.
• Simply wipe with a clean, soft cloth to maintain the brightness of the surface.
• Do not block vent holes. Be aware of heat-producing equipment mounted below this product.
• Use the following instructions and the troubleshooting section in the manual to adjust the product.
• Internal adjustments or repairs must be performed only by Marshall Electronics.

Accessories

• DC 12V 3A Universal 120/240 VAC 50/60 Hz Power adapter with 5.5mm x 2.1mm push connector
• TALLY kit – plug-in module adapts 15-pin connector to solderless terminal block

Features

1. Rackmount Ears with tilt capability.
2. Headphone Jack Accepts standard 3.5mm stereo mini-phone plug.
3. POWER button (Lights red in standby mode; green when operating).
4. The input select button cycles through HDMI and SDI.
5. F1~F4 user-defined shortcut function buttons (lighted when selected).
6. Short Cut: Long-press on any function button (3-5 seconds) pops up a menu for setting
   user-defined functions. Pressing the Menu knob confirms the selection.
7. Menu Knob Turn without pressing to adjust headphone volume. Press to open the menu system.

Back Panel

Barrel Power Connector

• 12V DC power input 5.5mm x 2.1mm push-on connector. Plug the supplied DC power adapter here. (Center pin is +) Please connect only one type of power supply at a time to this monitor.

4-Pin Connector

• 4-pin XLR DC power input compatible with a typical broadcast television camera, 12-volt power
  supplies.

3,4,9,10. HDMI Digital Video Connectors

• HDMI input and loop out. Embedded audio may be monitored at the Headphone jack and visually monitored on-screen.

5,6,7,8. Serial Digital “BNC” Connectors

• SDI input and loop out. Compatible with SD-SDI, HD-SDI, 3G-SDI, and 12G-SDI inputs.

Ethernet LAN RJ-45 Connector

• LAN port. The monitor can be operated from a PC using the application on the Marshall website.

TALLY Connector

• It is compatible with “open collector” and “pull-down” type GPI controls.
• Tally control is also possible via Ethernet.

USB input

• Used for firmware updates and Lookup Table (LUT) loading.

Menu Settings

Press the MENU knob on the monitor, and the function menus will pop up on the screen. Rotate left or right to select an option. Then press the knob again to open the sub-menu. When an arrow pointer appears in the menu, turn the Menu knob again to access the item or to confirm a selection.

Picture

Brightness 

• Used to establish the correct black level in the picture. The default value is 50.

Contrast 

• Establishes the range of dark to light areas in the picture. The default value is 50.

Saturation 

• Sets the amount of color information in the picture. The default value is 50.

Sharpness 

• Adds synthetic “detail” to the image. HD images should require very little added sharpness. Default value is 0.

RGB Range 

• Choose the RGB range of the HDMI input between Full and Limited. This choice only applies to HDMI inputs. When viewing HD video based on television standards such as REC 709, Limited is the correct choice. When working with computer graphics, Full may provide a wider range of colors.

HDMI EDID

• Select the HDMI EDID between 4K and 2K. This item enables a PC, set-top box, or other device to configure itself for the best video quality. This choice only applies to HDMI inputs.

Camera Log

• Use this item to choose one of the camera Log modes among Def log and User log.

Def. Log

• Default (preset) Log modes. When viewing material from a camera that has a Log gamma curve applied, the pictures will not appear normal unless the matching Log mode is selected.

User Log

• Use this item to install and apply a “User LUT” (Look Up Table) instead of one of the Default Logs.

To install a User Log “LUT.”

• Check that the User LUT name ends with “.cube”. (This is common.
• Two types are accepted: 17×17×17 or 33×33×33. Data order is BGR, Table order is BGR.
• Rename the LUT file as User1.cube up to User6.cube. (6 files may be stored in the monitor)
• Copy the user LUT onto a formatted USB drive.
• Insert the USB drive into the USB port on the rear panel of the monitor.
• The User LUT will be imported into the monitor automatically.
• If “no user data.” Please check that the file meets all the requirements noted above.

Gamma

Gamma correction applies a non-linear “curve” to the displayed range between dark and light. Historically, 2.4 is chosen because it is the inverse of a standard camera Gamma of 0.45, producing a roughly “linear” match. Today, different camera Gamma values are often applied for creative purposes, so a different monitor Gamma may be chosen for viewing. It is best practice that, once set, Gamma is not changed during a production shoot or an editing or color correction session.

HDR

• HDR “High Dynamic Range” is used to properly view video that has been enhanced through one of the common HDR processes. Three SMPTE ST 2084 standard settings are available.
• These are calibrated to 300, 1000, and 10,000 NIT displays.
• A fourth setting is available, HLG, which is commonly used for broadcast. When HDR is activated, the display can reproduce a greater dynamic range of luminosity.
• The best results will be obtained when the monitor setting matches the HDR emphasis that was applied to the video material. Using HDR mode with non-HDR material typically looks very unnatural. Back Light – adjusts the brightness of the LCD backlight.
• This is different from the “Brightness” control. Backlight is adjusted to compensate for room lighting without upsetting Contrast and Brightness adjustments. It is generally best practice to set the Back Light level before changing other picture settings.

Color Temp

This setting provides four different presets for white balance, approximating different common color “temperatures”. The most common is 6500K. USER allows for custom calibration by adjusting Gains and Offsets, as desired:

R/G/B Gain

• Adjust the Red, Green, or Blue Gain of the current Color Temperature from 0 to 255. Default value: 128.

R/G/B Offset

• Adjust the Red, Green, or Blue Offset of the current Color Temperature from 0 to 511. Default value: 256.

Marker

This page offers controls for setting various on-screen markers.

Center Marker

• Places a “+” mark in the exact center of the display. (Useful for checking camera or graphics positioning.)

Aspect Marker

• Places borders on screen representing various typical video and cinema aspect ratios. This does not change the displayed aspect ratio. That setting is in the Display menu.

Safety Marker

• Places a border around the edge of the screen to be used as a guide during video production.

Marker Color

• The Center, Aspect, and Screen marker colors can be changed.

Aspect Mat

• Darken the background just behind the markers.

Thickness

• Sets the width of the markers.

Display

This page provides controls for picture size, Zoom, check field, image freeze, and Overscan.

Scan 

• Adjust the scan mode among [Aspect], [Pixel To Pixel], and [Zoom].

Aspect 

• Allows changing the aspect ratio (shape) of the picture to match the incoming video. Settings are available for various video and cinema styles.

Pix to pix 

• Displays the incoming video with a 1:1 pixel match. This provides the clearest resolution but usually changes the size of the image. This turns off up/down “scaling.
• For example, a video input that has fewer pixels than the LCD will appear to shrink, while a video input that has more pixels will appear to expand. In either case, the image is shown in its “true” resolution.

Zoom 

• Expands the picture digitally. It is normal for picture quality to degrade as the picture is expanded.

Overscan

• Enlarge the image slightly to reduce image edge distortion.

H/V delay

• Shifts the picture vertically and horizontally to allow viewing the vertical and horizontal “blanking areas” which contain the HANC and VANC ancillary data.

Check Field 

• Displays the picture in monochrome (black & white) or in individual primary colors. Useful for color analysis and troubleshooting.

Zoom

• Expands the picture digitally. It is normal for picture quality to degrade as the picture is expanded.

Image Freeze

• Holds the current picture on screen.

Image Flip 

• The picture can be reversed top to bottom, left to right, or both. This can be a useful tool when viewing images shot through mirrors or from cameras mounted upside-down.

Wave

The Wave page offers adjustments for the on-screen Waveform monitor, Vector scope displays, and video assist functions like focus peaking, exposure “zebras”, and false color luminance level check.

Full Mode 

• The following analysis functions are full-sized and fill the entire display. In this mode, the video is not displayed.

Waveform 

• Selecting Waveform instead of Full Mode places a compact version of the Waveform Monitor function as an overlay at the bottom of the display. Overlays are limited to Y, YCbCr, and RGB presentations.

Graphic

• A graphic representation of the brightness from left to right across the picture. This is the most common setting and is particularly useful for adjusting lenses and lighting.

YCbCr

• A graphic representation of the Luminance plus the color components in the video signal. Useful for equipment adjustment and confirming proper operation.

RGB 

• A graphic representation of the three primary color components of a video picture. Useful for making equipment adjustments.

Audio

• Shows an on-screen bar graph of audio channels (typically Left and Right) from either an HDMI or SDI digital source.

Vector 

• A graphic representation of the colors in a picture. Brightness levels are not shown. The vector display is used with color charts or test signals.

Transparency 

• Change the visibility of the chart on the screen. Adjust as desired for best visibility.

Peaking

• Adds a colored edge to picture details, making it easy to identify which areas are in sharpest focus.
• Select one of the peaking colors: Red, Green, Blue, White, or Black.
• Adjust the amount of peaking color. The range is 1 – 100.

False Color 

• A method to show each brightness in the picture with a different color.
• It provides a quick way to tell if one part of a picture is too bright or too dark.
• There are 10 colors representing 10% steps.
• Default mode matches the False Color feature in other Marshall monitors.
• Additional modes are provided to match the color modes used by RED and ARRI.

False Color Table

• Places a color guide on screen. This guide shows what level from 0 – 100% each color represents.

Exposure

• Creates “zebra” lines in the brightest areas of the picture. This mimics a feature that is commonly found in broadcast camera viewfinders, which provides a quick way to check for over-exposure.

Exposure Level 

• To adjust the level of peaking. The exposure level can be set to [50]-[100].

Histogram 

• Use this item to activate or deactivate the histogram.

Y 

• A graphical representation of the tonal distribution within a picture.

RGB 

• A graphic representation of the three primary color components of a video picture. Useful for making equipment adjustments.

COLOR 

• A graphical representation of the mixed RGB distribution within a picture.

4 Bar Display

• A graphical representation of the peak value of YRGB.

Time Code

• The Time Code display supports embedded Longitudinal time code (LTC) and Vertical interval time code (VITC) types. Time Code display is only available with SDI input. HDMI does not have time code.

Audio

This Page used to adjust volume, audio channel, level meter, and mute.

Volume 

• Controls the Headphone volume. The default level is 50.

Level Meter 

• Shows an on-screen bar graph of audio channels (typically Left and Right) from either an HDMI or SDI digital source.

Audio Vector

• This is the traditional “oscilloscope” pattern comparing left and right audio channels.
• When a tone is present, a straight line will appear if both channels are “in-phase”.
• A circle will appear if the channels are 180-degrees “out of phase” or reverse polarity.
• With normal audio, there will be a pattern of constantly moving lines.

Remote

This page offers adjustments for Ethernet port settings.

DHCP 

• Enable or disable Ethernet DHCP mode.
• When DHCP is on, the monitor will automatically get an IP address from the network.
• The address will appear in the IP, Mask, and Gateway fields below.

IP 

• Configures or displays the IP address

Mask 

• Configures or displays Subnet Mask

Gateway 

• Configures or displays the IP Gateway.

System

This page provides a collection of system-level functions, including On Screen Display (OSD), reset unit to Factory settings (Reset), and Color Calibration.

Language

• Sets on-screen messages to either English or Chinese.

Color Bar 

• Places color bars on the screen to check the monitor operation.

OSD Time 

• Adjusts the amount of time menus remain on screen.

OSD Transparency 

• Adjusts the Transparency of menus for visibility

Knob Config 

• Customize the functions of the Menu Knob.
• Each press after that will bring up a different function.
• The first, or default, function can be changed so that it is Back Light, Brightness, Contrast, Saturation, or Sharpness.

Comparison  

This is a useful tool for analyzing the effects of these image modifiers. Reset – sets all menu choices back to the way the unit ships from the factory.

Exit

This page provides some information about the signal input parameters and the system version for reference.

The EXIT page displays the current state of the monitor. There are no selections on this page. Pressing the Menu Knob closes the menu screen.

Source

• The currently selected input

SDI Mode 

• The current SDI signal type. (HDMI type is not displayed).

Resolution 

• The pixel structure of the current input signal. Horizontal x Vertical

Frame Rate

• The frame rate of the current input signal and whether the signal is interlaced or progressive

Color Space 

• The sampling structure of the SDI signal. ”A” Indicates the presence of an Alpha or “Key” channel.

MCU Version 

• The version of the MCU firmware

FPGA Version 

• The version of SFPGA firmware. The version numbers may be useful when contacting Customer Support.

Menu Selections

The monitor front panel has four special function keys marked F1 through F4.

The function key menu will appear on the right side of the screen. Simply rotate the Menu knob to the desired function shortcutand press the Menu knob to make the selection.

Please refer to the individual menu pages above for details about these functions.

Remote Terminal

PCSet Remote Terminal is a convenient software tool for controlling multiple monitors from a single computer. PCSet will run on anWindows™-baseded computer (XP or later) and installs quickly by creating a desktop icon. Simply double-click the desktop icon, and the control screen will appear. PCSet discovers the monitors on the network and adapts the control function display accordingly. Currently works with models ML-503, ML-702, V-702W, V-702W-12G-V2.

Power Supply

Replacement power supplies are available by contacting Marshall Electronics and specifying part #V-PS12V-5A-XLR-1.

Specifications

• Panel Size: 2 x 7-inch screens
• Panel Resolution: 1920 × 1200 pixels
• Brightness: 420 cd/m?
• Contrast: 1200:1
• Viewing Angle: 160° / 160°(H/V)
• Input Voltage: DC 12V
• Input Signal: HDMI, SDI up to 12G SDI
• Power Consumption: ≤24W
• Operating Temperature: 0°C to 50°C
• Storage Temperature: -20°C~60°C
• Dimension W/H/D: 19″ x 5.3″ x 1.3″ (482×133×33mm)
• Weight: 5.4lbs (2.43Kg)

Troubleshooting

Power on, but no picture

• Also, please use the standard power adapter coming with the product package or another power supply with the correct voltage and pin configuration.

Only black-and-white display

• Access the DISPLAY menu and make sure Check Field is Off.

Wrong or abnormal colors

• Broken or loose pins of the cables may cause a bad connection.
• Access the WAVE menu page and check that the False Color mode is OFF.

The picture is “stuck” on thescreen.

• Access the DISPLAY menu page and check that IMAGE FREEZE is off.

Solving Other Problems

• This is sometimes useful to eliminate the possibility that an improperly set menu item is interfering with the operation.
• To reset the monitor, access the “SYSTEM” menu page, press the Menu knob, then rotate left or right to select “Reset”. Press the knob once, then rotate the knob to cause the unit to reset.

Warranty

• MarshallElectronics warrantss to the first consumer that this V-702W-12G-V2, dual 7” rack mount monitor will, under normal use, be free from defects in workmanship and materials, when received in its original container, for a period of one year from the purchase date.
• If there is no proof of purchase provided with a warranty claim, Marshall Electronics reserves the right not to honor the warranty set forth above.
• This warranty does not apply to the product exterior or cosmetics. Misuse, abnormal handling, alterations, or modifications in design or construction void this warranty.

Customer Support

• Tel: (800) 800-6608
• Website: www.marshall-usa.com

FAQs

Q: What is the primary function of the Marshall V-702W-12G-V2?

For use in studio, broadcast, and live production settings, the V-702W-12G-V2 is a professional rack-mount monitor that offers accurate image monitoring and excellent video output.

Q: What type of video signals does it support?

This monitor is compatible with a variety of professional equipment since it accepts both regular HD and SD feeds and 12G-SDI signals, which allow for high-resolution 4K video via a single cable.

Q: Can it display multiple inputs simultaneously?

Indeed. Depending on production requirements, users can watch numerous video sources or layouts thanks to the monitor’s configurable input setups, which include signal scaling.

Q: Is the V-702W-12G-V2 suitable for live production setups?

Of course. It is perfect for live broadcasting, streaming, and event production because of its professional connectivity, high-resolution display, and low-latency performance.

Q: How is the monitor controlled?

It provides simple access to image modifications, scaling, and monitoring features through its user-friendly front-panel controls and on-screen menus.

Q: Does the monitor offer tools for professional image evaluation?

Indeed. Waveform, vectorscope, focus assist, and other monitoring tools necessary for broadcast and post-production workflows are among its features.